Tag Archives: aesthetics

Entry Framing (Theory Moves)

Entry Framing: [en-tree frey-ming] Noun Phrase The initial establishment in a text of a perspective, an orientation, a frame from or against which the text proceeds. Examples: An entry framing can establish a voice (“I am a spiteful man.  My liver is bad…”)   … Continue reading

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Wild-ish: Self and Community on the Trail

A lot of wilderness narratives go like this.  A man walks alone into the woods/desert/mountains.  He confronts nature in all its glory and terror.  He barely escapes grave danger and returns to tell the tale or/He does not escape grave … Continue reading

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Simula Life

My local bookstore is a pretty good one—as book stores go.  It regularly brings in authors (both renowned and good).  Its reader recommendations are generally excellent.  It purveys only a minimum of kitsch (greeting cards and such).  Its shelves are … Continue reading

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Theoretical Unspecifiables (Theory Moves)

Theoretical Unspecifiable: [thee-uh-ret-i-kuhl un-spes-uh-fahy-uh-buhl] Noun Phrase In a theory or a mode of thought, an unspecified (and unspecifiable) term used to resolve gaps, contradictions, incommensurabilities and paradoxes.  A theoretical unspecifiable is conceptually nearly vacant (and inaccessible to theorization) but at the same … Continue reading

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Religion, Sex and Politics

Aren’t those the three things not to discuss with friends and relatives? Yet all three were on my mind one winter afternoon in the Uffizi Museum in Florence, Italy as I wandered lazily through rooms stuffed with iconic renaissance art.  … Continue reading

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Legal Formalism (A Refresher on Form)

O.K. for you law people, this will all be pretty familiar.   For you non-law people, this is  an acid challenge—a test of your tolerance for excruciatingly picayune legal exegesis.   One bit of solace I can offer you is that, conveniently, … Continue reading

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Kandinsky or Hart? Aesthetics. No. 1

Kandinsky or Hart? Pierre Schlag Beta Version 1.0 In 1927, Heisenberg introduced his uncertainty principle. By 1934, Wittgenstein was breaking with his early work. In 1923, Kandinsky was putting the finishing touches on Composition VIII: And in 1958, H.L.A. Hart, … Continue reading

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